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Open Educational Resources (OER): Copyright for Instructors

This guide provides information and resources for faculty who are interested in exploring opportunities for using textbooks and learning materials published through non-commercial sources in their (physical or virtual) classrooms.

Copyright, Fair Use, and the Public Domain

Green copyright symbol on a white ground

When using classroom resources that you have not created yourself, it's important to be aware of issues surrounding copyright and licensing, and how they affect what you can do in the physical or virtual classroom. These pages give an overview of issues pertaining to classroom use of other people's works.

Be sure to check out all three sections:

This guide presents information about copyright law. The college makes every effort to assure the accuracy of this information but do not offer it as counsel or legal advice. Consult an attorney for advice concerning your specific situation.

Green Copyright Symbol by Zach Harden, released to the public domain.

Copyright Quick Guide

Copyright law applies to nearly all creative and intellectual works

For a work to be protected by copyright law, it must be an idea that has been expressed and fixed in some sort of medium. The expression has to be original. To be considered original, there must be a “modicum of creativity” in how it has been expressed. In other words, once you create an original work, and fix it on paper, in clay, or on the drive of your computer, so that the work can be reproduced in some format, then the work is considered copyrightable. Therefore, copyright law protects a wide and diverse array of materials. Books, journals, photographs, works of visual art and sculpture, music, sound recordings, computer programs, websites, film, architectural drawings, choreography and many other materials are within the reach of copyright law. If you can see it, read it, hear it, or watch it, it likely is protected by copyright.

Works are protected automatically, without copyright notice or registration

Copyright-protectable works receive instant and automatic copyright protection at the time that they are created. U.S. law today does not require placing a notice of copyright on the work or registering the work with the U.S. Copyright Office. The law provides some important benefits if you do use the notice or register the work, but you are the copyright owner even without these formalities.

Content is reproduced from the Copyright Quick Guide, published by Copyright Advisory Services of Columbia University and written by Dr. Kenneth D. Crews. It is used under a CC BY 4.0 license.

Owners hold specific rights but not all rights

The law grants to copyright owners a series or bundle of specified rights:

  • Reproduction of works
  • Distribution of copies
  • Making of derivative works
  • Public performance and display of works.

In addition, certain works of visual art have moral rights regarding the name of the artist on the work, or preventing the destruction of them. Copyright owners may also have rights to prevent anyone from circumventing technological protection systems that control access to the works.

Author is the first copyright owner

As a general rule, the initial owner of the copyright is the person who does the creative work. If you wrote the book or took the photograph, you are the copyright owner.

Exceptions to the rule: creating a work on someone’s behalf

If you created the work as an employee, acting within the scope of your employment, then the copyright owner is your employer. In addition, if you are a freelancer, and where your contract specifies that you have created a work as a “work made for hire”, then the first owner of the copyright is the person that contracted you to create it.
 

Copyright can be transferred

Copyright owners can give or sell their rights to others. Even in cases of employment or where a copyright protected work was created as a “work made for hire” copyright can be assigned or transferred back to the author. In addition, rights can be transferred temporarily by contract. These contracts are often called licensing agreements. A recipient of right by way of licensing agreement only has the ability to exercise those rights that are specified directly in the agreement. At the end of the life of the licensing agreement, those rights revert back to the copyright owner.

Copyright and publishing agreements

In an academic setting, we are frequently asked to transfer copyright in our books and articles to publishers. It is not a requirement of publication that rights be assigned or transferred permanently to a publisher. The right to publish can be licensed to the publisher temporarily or on a non-exclusive basis. The ability to transfer or retain our copyrights is an opportunity to be good stewards of our intellectual works and maintain our intellectual legacy.

Copyright expires

The basic term of protection for works created today is for the life of the author, plus seventy years. In the case of "works made for hire", copyright lasts for the lesser of either 95 years from publication or 120 years from creation of the work. The duration rules for works created before 1978 are altogether different, and foreign works often receive distinctive treatment. Not only is the duration of copyright long but the rules are fantastically complicated. Below you will find links to a number of resources to assist in guiding you through a copyright duration question.

Copyright owners may allow public non-exclusive uses

A copyright owner may grant rights to the public to use a protected work. That grant could be a simple statement on the work explaining the allowed uses, or it may be a selection of a Creative Commons license. Similarly, the movement to make works "open access" or "open source" is a choice by the owner of rights to make works available to the public.

The public domain

Some works lack copyright protection, and they are freely available for use without the limits and conditions of copyright law. Copyright eventually expires too. When a work lacks copyright protection or where copyright has expires, it is said that the work enter the public domain. Works produced by the U.S. government are not copyrightable. Copyright also does not protect facts, ideas, discoveries, and methods.

Content is reproduced from the Copyright Quick Guide, published by Copyright Advisory Services of Columbia University and written by Dr. Kenneth D. Crews. It is used under a CC BY 4.0 license.

Activities within fair use are not infringements

Fair use is not an infringement of copyright. It allows under certain conditions a person to use copyright protected material without permission. Fair use is an important right to use copyrighted works at the university. Fair use can allow us to clip, quote, scan, share, and make many other common uses of protected works. But not everything is within fair use. Fair use depends on a reasoned and balanced application of four factors: the purpose of the use; the nature of the work used; the amount used; and the effect of the use on the market for the original. A more in-depth discussion of fair use may be found here.

Fair use is one of many statutory rights to use copyrighted works

Fair use is encoded in the U.S. Copyright Act, which also includes many other provisions allowing uses of works in the classroom, in libraries, and for many other purposes. These statutes, however, are highly detailed, and the right to use works is usually subject to many conditions and limitations.

Uses are also allowed with permission

If your use of a copyrighted work is not within one of the statutory exceptions, you may need to secure permission from the copyright owner. A non-exclusive permission does not need to be in writing, but a signed writing is almost always good practice. The permission may come directly from the copyright owner, or through its representative agent or copyright agency.
 

U.S. copyright law applies to domestic and foreign works

In general, the same principles of copyright under the domestic law of the U.S. (or of another country) apply to a work, whether the work originated in the U.S. or elsewhere. Under major multinational treaties, many countries have agreed to give copyright protection to works from most other countries of the world. Because the U.S. has joined such treaties, you should apply U.S. copyright law to most works, regardless of their country of origin. For a more in-depth discussion of copyright and foreign works, you can refer to Special Cases.

Content is reproduced from the Copyright Quick Guide, published by Copyright Advisory Services of Columbia University and written by Dr. Kenneth D. Crews. It is used under a CC BY 4.0 license.

Copyright and Licenses

Copyright and licenses work together to make creative content available and usable to an audience.

Copyright

Copyright provides legal protection for intellectual property. As soon as it is set in a tangible form, content is copyrighted by the creator(s), whether it is registered with the Copyright Office or not. Unless otherwise stated, the copyright is exclusive. The typical permitted level of use for most commercially published material is "All rights reserved" (look, but don't touch).

Fair use provisions and selected exemptions for education modify this protection.

Licenses

Licenses modify copyright protections by adding a second layer of legal agreement. A license is a contract between the creator or publisher and the user. Most of us are familiar with this through software licenses. The license conveys to the user specific permissions relating to use of the work; in other words, "Some rights reserved."

Creative Commons Licenses

Creative Commons is a nonprofit organization that supports more open use of creative content. Creative Commons licenses enable creators to select what rights they wish to reserve, and which they will give to the users of their content.

The Purpose of Copyright

Copyright provides a way to control the ownership and distribution of intellectual content. It secures rights to creators for a limited time, after which the material passes into the public domain. It can provide both economic and moral/ethical protections for creators, and balances these individual rights with the common good. Different countries take different approaches to copyright. On an international level, copyright is managed by treaty.

For more detailed information, check out the following:

What Does Copyright Protect?

Copyright, a form of intellectual property law, protects original works of authorship including literary, dramatic, musical, and artistic works, such as poetry, novels, movies, songs, computer software, and architecture. Copyright does not protect facts, ideas, systems, or methods of operation, although it may protect the way these things are expressed.

Reproduced from What Does Copyright Protect?, published by Copyright.gov.

Copyright and Recipes

A mere listing of ingredients is not protected under copyright law. However, where a recipe or formula is accompanied by substantial literary expression in the form of an explanation or directions, or when there is a collection of recipes as in a cookbook, there may be a basis for copyright protection. Note that if you have secret ingredients to a recipe that you do not wish to be revealed, you should not submit your recipe for registration, because applications and deposit copies are public records. 

Reproduced from What Does Copyright Protect?, published by Copyright.gov.

Credits

This guide was developed by Leslie Murtha, Robert Mast, Amanda Carey, Janet Hauge, and Mike Sargente, Atlantic Cape Community College Libraries.
Published June 2020.